It Costs Too Much To Die Song Lyrics and Chords

 

It Costs Too Much To Die Song Lyrics and Chords by Lefty Frizzell

 

It Costs Too Much To Die

Recorded by Lefty Frizzell

Written by J.A. Balthrop
C 
I saw you with him last night  
G7 
Cadillac and all
 
Dancing in those fancy cloths and  
C 
having quite a ball
 
While I stood at the window couldn'
F 
t help from lookin' in
G7 
Wondering why a poor boy never has a chance to  
C 
win
 
It costs too much for flowers  
G7 
champagne is way too high
 
I can't afford a handkerchie
C 
f for these tears that I cry
 
Sometimes I think I'll just give up an
F 
d jump from way up high
 
But I  
G7 
guess I'll have to change my plans it cost too much t
C 
 
die
 
Big man gets the money the  
G7 
little guy gets the dirt
 
Rich man gets the woman  
C 
poor boy gets the hurt
 
Yeah all I've had is a big bad time an
F 
d herein I don't lie
 
I'
G7 
d hang myself with a necktie but it costs too much t
C 
 
die

 

FAQ

 

Who sang the the song It Costs Too Much To Die?
- The song It Costs Too Much To Die was sang by Lefty Frizzell.

 

Who is Lefty Frizzell?
- William Orville "Lefty" Frizzell (March 31, 1928 - July 19, 1975) was an American country music singer-songwriter and honky-tonk singer.He gained prominence in 1950 after two major hits, and throughout the decade was a very popular country performer.
Frizzell influenced a number of other country singers, including George Jones, Willie Nelson, Roy Orbison, The Everly Brothers, Keith Whitley, Merle Haggard, and John Fogerty. He was inducted into the Country Music Hall of Fame in 1982. After the death of Hank Williams in 1953, Frizzell released many songs that charted in the Top 10 of the Hot Country Songs charts. His success did not carry on into the 1960s, and after suffering from alcoholism, he died at age 47.
A vocalist who set the style of singing "the country way" for the generations that followed, Frizzell became one of the most successful and influential artists of country music throughout his career. He smoothed out the rough edges of a honky tonk song by sounding out syllables longer and singing longer. Because of this, his music became much more mainstream without losing its honky-tonk attitude and persona.

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