My Loving Gal Lucille (Blue Yodel No.2) Song Lyrics and Chords

 

My Loving Gal Lucille (Blue Yodel No.2) Song Lyrics and Chords by Lefty Frizzell

 

My Loving Gal Lucille (Blue Yodel No.2)
Recorded by Lefty Frizzell
Written by Jimmie Rodgers
C 
If you ever had the blues you know just how I feel
C7 
 
If you  
F 
ever had the blues you know just how I  
C 
feel
 
I'm  
G7 
about to lose my loving gal Lu
C 
cille
 
I love you momma but I don't like your lowdown ways
C7 
 
I  
F 
love you momma but I don't like your lowdown  
C 
ways
 
You  
G7 
got me in trouble and now I'm serving  
C 
days
 
Well I ain't gonna marry I ain't gonna settle down
C7 
 
Lord  
F 
I ain't gonna marry I ain't gonna settle  
C 
down
 
I'm  
G7 
gonna be a rounder till the police shoots me  
C 
down
 
You can blow your whistle momma you can toot your horn
C7 
 
You  
F 
can blow your whistle momma you can toot your  
C 
horn
 
You're  
G7 
gonna wake up some morning and find your daddy  
C 
gone

 

FAQ

 

Who sang the the song My Loving Gal Lucille (Blue Yodel No.2)?
- The song My Loving Gal Lucille (Blue Yodel No.2) was sang by Lefty Frizzell.

 

Who is Lefty Frizzell?
- William Orville "Lefty" Frizzell (March 31, 1928 - July 19, 1975) was an American country music singer-songwriter and honky-tonk singer.He gained prominence in 1950 after two major hits, and throughout the decade was a very popular country performer.
Frizzell influenced a number of other country singers, including George Jones, Willie Nelson, Roy Orbison, The Everly Brothers, Keith Whitley, Merle Haggard, and John Fogerty. He was inducted into the Country Music Hall of Fame in 1982. After the death of Hank Williams in 1953, Frizzell released many songs that charted in the Top 10 of the Hot Country Songs charts. His success did not carry on into the 1960s, and after suffering from alcoholism, he died at age 47.
A vocalist who set the style of singing "the country way" for the generations that followed, Frizzell became one of the most successful and influential artists of country music throughout his career. He smoothed out the rough edges of a honky tonk song by sounding out syllables longer and singing longer. Because of this, his music became much more mainstream without losing its honky-tonk attitude and persona.

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